By Lolita Chakrabarti
Directed by Peter DeLaurier
September 7 - October 15, 2017 extended!
London, 1833. There are riots on the streets protesting the Slavery Abolition Act. Inside the Theatre Royal, tragic actor Ira Aldridge is making history. Fresh from dazzling success in the capitals of Europe, he is about to become the first African American actor to play Othello in London, where the play was created. The conflict inside the theater mirrors that on stage and outside: what price will artists pay for their audacity?
Red Velvet poster art: The Captive Slave by John Philip Simpson (1827) with Ira Aldridge, model. Courtesy of the Art Institute of Chicago / Art Resource, NY.
The Creative Team
Meghan Jones, Scenic Designer • Janus Stefanowicz, Costume Designer • Lily Fossner, Lighting Designer • Christopher Colucci, Sound Designer • Shannon O'Brien, Props Master • Janice Orlandi, Movement Consultant • Leonard Kelly, Dialect Coach • Christie Kelly, Wig Designer • Rebecca Smith, Stage Manager
News & Reviews
Forrest McClendon stars in Red Velvet: The Philadelphia Tribune talks with Tony Award nominee Forrest McClendon about Ira Aldridge, his favorite roles, and more. more
"A provocative and entertaining drama about race and theater... The success of this fine production rests on the elegant shoulders of Forrest McClendon, whose Aldridge is volatile and passionate, and whose performance is a virtuosic demonstration of acting styles and accents." –Philadelphia Inquirer more
"Timely... Historical play, right for today." –Broad Street Review more
"Director Peter DeLaurier wrestles with [the play's] issues athletically, staging the powerful standoffs and quiet venomous implications with equal passion. Tony nominee Forrest McClendon leads a distinctly strong cast..." –DC Metro Theater Arts more
"Skillfully written... skillfully staged... exceptional." –Beyond My Backyard more
"Forrest McClendon is resplendent as Ira Aldridge. This play not only makes the audience aware of yet another famous African American ignored by history books, but it also shows us some regrettable social injustices of the past. Peter DeLaurier's masterful direction just might be a key to using the arts as a guide to correcting social injustices of the present." –Delco Culture Vultures
"Keep your eyes on McClendon... He's not just a good, even great actor – he's a fascinating and continually surprising one. He manages to simultaneously suggest a historical character and a modern one, which underscores Red Velvet's ultimate, crushing point – more than 150 years after Aldridge, our theater is still grappling – often unsuccessfully – with racial politics and casting." –Philadelphia Magazine
Header Photo: Geneviève Perrier and Charlie DelMarcelle in A Child's Christmas in Wales (2014); Kittson O'Neill, Maxwell Eddy, and Alex Boyle in Arcadia (2014); Damon Bonetti, Daniel Fredrick, and Dave Johnson in The Hound of the Baskervilles (2015); and Kirk Wendell Brown and Peter DeLaurier in The Train Driver (2014). Photos by Mark Garvin.